The Behringer SF300 Super Fuzz pedal offers a surprising amount of versatility and tone for its incredibly budget-friendly price point. This review delves into the performance and features of this compact stompbox, examining its build quality, sonic capabilities, and overall value for money. We'll explore its three distinct modes – a mid-range boost, a mid-scoop, and a powerful standalone boost – and discover how it can seamlessly integrate into any guitarist's setup. Prepare to be impressed by the sonic range this little pedal packs.From its sturdy construction exceeding expectations for its price to its surprisingly nuanced tonal options, the SF300 punches far above its weight. We'll explore its effectiveness in creating a range of fuzz and overdrive tones, as well as its ability to convincingly mimic the sound of classic fuzz pedals. Ultimately, this review will determine whether the Behringer SF300 Super Fuzz is a worthwhile addition to your pedalboard, offering exceptional value for players on a budget.
Pros And Cons
- Versatile: Offers various tones (distortion, overdrive, fuzz)
- Affordable: Relatively inexpensive, especially used.
- Boost switch: Useful as a standalone boost pedal for solos.
- Multiple modes: Three different modes provide a range of sounds.
- Good for adding bass and beef to sound
- Muddy sound at high gain settings
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Unboxing and First Impressions
The Behringer SF300 Super Fuzz arrived in excellent condition, though it didn't come with its original box. It felt sturdy and well-built, exceeding expectations for its price point. The pedal's compact size makes it ideal for any pedalboard.

The SF300 boasts four knobs (Level, Treble, Gain, and Bass) and a three-way mode switch, promising a wide range of tonal options. Initial inspection revealed high-quality components, suggesting Behringer prioritized build quality, even at this lower price.
Exploring the Three Modes
The SF300 offers three distinct modes: a mid-range boost, a mid-scoop with enhanced low and high frequencies, and a standalone boost. Each mode provides a unique sonic character, showcasing the pedal's versatility.

The mid-range boost mode thickens the tone, adding punch and warmth. The mid-scoop mode creates a more transparent and spacious sound, perfect for lead lines. The boost mode is remarkably powerful, ideal for solos or adding a significant boost to the overall signal.

Sound and Performance
The Behringer SF300 excels at adding various degrees of fuzz and overdrive. I prefer setting the level to 2 o’clock for optimal boost, the treble around 12 o’clock, gain at 3 o’clock (avoiding muddiness), and bass around 2 o’clock for low-end punch.

In boost mode, the gain acts as the level control. The pedal seamlessly integrates into any signal chain, offering versatility in various musical contexts and styles. Experimentation revealed a remarkably wide range of achievable tones.
Comparison and Conclusion
The SF300's Fuzz 2 mode convincingly captures the essence of a Big Muff Pi, offering a close approximation of that iconic sound. Considering its affordability, the SF300 is a remarkably versatile tool.
At approximately $24 USD (new) or $15-20 USD (used), this pedal is an outstanding value. For players seeking fuzz, overdrive, and boost capabilities in a single, compact unit, the Behringer SF300 Super Fuzz is a highly recommended addition to any guitarist's arsenal.